Hollywood Canteen (1944). 124 minutes. Directed by Delmer Daves. Starring Robert Hutton (as Slim Green) and Dane Clark (as Sergeant Nolan). Also starring as themselves: The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Kitty Carlisle, Joan Crawford, Bette Davis, Jimmy Dorsey, John Garfield, Sydney Greenstreet, Paul Henreid, Joan Leslie, Peter Lorre, Ida Lupino, Joan McCracken, Roy Rogers and Trigger, S. Z. Sakall, Barbara Stanwyck, and Jane Wyman.
Hollywood Canteen is a World War Two-era propaganda film that takes place in the real Hollywood Canteen, a wartime nightclub for G.I.s that operated from 1942 to 1945 and was staffed by Hollywood superstars. Inside the canteen, the most glamorous names in the film industry performed menial labor by preparing food, waiting tables, and cleaning up after guests, and provided entertainment on a main stage. The movie Hollywood Canteen offers us a glimpse of what a canteen guest’s experience might have been like while also promoting the war effort and the … Read the rest
Casablanca (1942). 102 minutes. Directed by Michael Curtiz. Starring Humphrey Bogart (as Rick Blaine), Ingrid Bergman (as Ilsa Lund), Paul Henreid (as Victor Laszlo), Claude Rains (as Captain Louis Renault), Conrad Veidt (as Major Heinrich Strasser), Sydney Greenstreet (as Signor Ferrari), Peter Lorre (as Signor Ugarte), S. Z. Sakall (as Carl), and Dooley Wilson (as Sam).
I am constantly amused by how warmly and universally well-received by general audiences Casablanca is—not because I think it deserves otherwise, but rather because it is difficult for any film to endure for so long in the mind of the public at large as an unequivocal classic, and not just as a classic among many, but to many people the definitive classic film. And yet the same people go to such great lengths to diminish it while they praise it, asserting that it was merely a B movie (it was not), or that it was only one of hundreds of films produced that year … Read the rest
The following article is a review of three film adaptations of Dashiell Hammett’s novel The Maltese Falcon: the pre-Code Maltese Falcon (1931), the bizarre comedic Satan Met a Lady (1936), and the superb film noir version (1941).
Synopsis: The Maltese Falcon by Dashiell Hammett (1929)
Sam Spade is a private detective working in San Francisco. A woman identifying herself as Miss Wonderly appears in his office one day and asks for his help: she claims her sister is visiting the city in the company of a disagreeable man, and Wonderly wants the two separated. Spade’s partner Miles Archer takes over the case and agrees to shadow the man, Thursby, but that evening both Miles and Thursby are shot dead.
The next day, Spade meets up with Wonderly, who explains that she and Thursby were involved in a plot to capture an illusory, legendary, jewel-studded falcon statuette that has been smuggled around the world by treasure hunters through the ages. … Read the rest
Christmas in Connecticut (1945). 102 minutes. Directed by Peter Godfrey. Starring Barbara Stanwyck (as Elizabeth Lane), Sydney Greenstreet (as Alexander Yardley), Dennis Morgan (as Jefferson Jones), Reginald Gardiner (as John Sloane), S. Z. Sakall (as Felix Bassenak), Robert Shayne (as Dudley Beecham), Una O’Connor (as Nora), and Dick Elliott (as Judge Crothers).
Christmas in Connecticut reflects on a certain widespread fantasy about life in Connecticut, a fantasy that seems particularly to belong to New Yorkers but that many others from outside of the region are similarly fond of. Snowy, sleigh-laden, and full of the sights and smells of elegant home cooking, the Connecticut that lifestyle columnist Elizabeth Lane (played by Barbara Stanwyck) creates in this movie is certainly a repository of rural and domestic dreams, both in 1945 and, I think it is fair to say, even today. While the movie may easily be categorized as light holiday fare, it also has something relevant to say about the role of … Read the rest