The Mummy (1932). 73 minutes. Directed by Karl Freund. Starring Boris Karloff (as Ardath Bey/Imhotep), Zita Johann (as Helen Grosvenor/Princess Ankh-es-an-Amon), David Manners (as Frank Whemple), Arthur Byron (as Sir Joseph Whemple), Edward Van Sloan (as Dr. Muller), Bramwell Fletcher (as Ralph Norton), Noble Johnson (as the Nubian), and Leonard Mundie (as Professor Pearson).
The Mummy is one of the classic Universal monster movies, which also include Dracula (1931), Frankenstein (1931), and The Invisible Man (1933). Directed by Karl Freund, who worked as a cinematographer for such silent landmarks as The Last Laugh (1924) and Metropolis (1927), as well as for the Universal Dracula, The Mummy is atmospheric and visually pleasing, even though it is staged using only a limited number of sets. Part of the reason for its success is no doubt owed to actor Boris Karloff, who manages to infuse the titular character with both creepiness and, perhaps unexpectedly, a fair amount of rebel chic. Although Karloff’s … Read the rest
Battleship Potemkin (1925). 75 minutes. Directed by Sergei Eisenstein. Starring Alexsandr Antonov (as Grigory Vakulinchuk), Vladimir Barsky (as Commander Golikov), Grigori Alexsandrov (as Chief Officer Giliarovsky), Mikhail Gomorov (as militant sailor), Alexsandr Levshin (as petty officer), N. Poltavseva (as woman with pince-nez), Beatrice Vitoldi (as woman with baby carriage), Konstantin Feldman (as student agitator), and Lyrkean Makeon (as masked man).
Battleship Potemkin is a landmark Soviet propaganda film directed by Sergei Eisenstein. Filmmakers such as Billy Wilder and Orson Welles numbered it among their top favorites for its artistry, and it consistently places on Sight and Sound’s polls of the greatest movies ever made. Yet it may be difficult for some to accept Battleship Potemkin as one of the great films, or at least as an unhindered work of art, given the brutal realities of the regime that it was designed to serve as a mouthpiece for. Battleship Potemkin’s mission is, after all, to express Soviet political rhetoric as a … Read the rest
Steamboat Willie (1928). 8 minutes. Directed by Walt Disney and Ub Iwerks. Voices by Walt Disney. Music by Wilfred Jackson and Bert Lewis.
Steamboat Willie is a black-and-white animated Disney short that was the first cartoon of any kind to use completely synchronized sound. It draws thematically from both the 1911 song “Steamboat Bill” and the 1928 silent Buster Keaton comedy Steamboat Bill, Jr., but it was also inspired by the technological revolution launched by The Jazz Singer (1927), the first feature-length movie to use partially synchronized sound. Steamboat Willie is notable today for its historical achievement and for being the first widely successful cartoon to feature Mickey Mouse, but in addition to these accomplishments, it remains extremely silly and a good example of how charming early animation could be.
The story follows the iconic rodent protagonist as he works on a riverboat. A large cat (Pete) orders Mickey around and banishes him from the ship’s bridge. Mickey … Read the rest