Angels with Dirty Faces (1938). 97 minutes. Directed by Michael Curtiz. Starring James Cagney (as William “Rocky” Sullivan), Pat O’Brien (as Father Jerry Connolly), the Dead End Kids (as Soapy, Swing, Bim, Pasty, Crab, and Hunky), Humphrey Bogart (as Jim Frazier), Ann Sheridan (as Laury Martin), and George Bancroft (as Mac Keefer).
Angels with Dirty Faces was famously parodied in the Home Alone franchise as Angels with Filthy Souls, an old violent crime film with an outrageous title that the young protagonist Kevin McCallister watches when his parents are out of town. If you have seen one of the Home Alone movies, you might think that violence and the glorification of the gangster are the defining features of the parody noir’s source material. Yet while Angels with Dirty Faces does depict violence and crime, the movie nevertheless features a complex ending that undermines its gangster protagonist’s rebellious, law-breaking streak, making him appear cowardly and weak. It is an essential … Read the rest “Angels with Dirty Faces (1938)”
Casablanca (1942). 102 minutes. Directed by Michael Curtiz. Starring Humphrey Bogart (as Rick Blaine), Ingrid Bergman (as Ilsa Lund), Paul Henreid (as Victor Laszlo), Claude Rains (as Captain Louis Renault), Conrad Veidt (as Major Heinrich Strasser), Sydney Greenstreet (as Signor Ferrari), Peter Lorre (as Signor Ugarte), S. Z. Sakall (as Carl), and Dooley Wilson (as Sam).
I am constantly amused by how warmly and universally well-received by general audiences Casablanca is—not because I think it deserves otherwise, but rather because it is difficult for any film to endure for so long in the mind of the public at large as an unequivocal classic, and not just as a classic among many, but to many people the definitive classic film. And yet the same people go to such great lengths to diminish it while they praise it, asserting that it was merely a B movie (it was not), or that it was only one of hundreds of films produced that year … Read the rest “Casablanca (1942)”
The following article is a review of three film adaptations of Dashiell Hammett’s novel The Maltese Falcon: the pre-Code Maltese Falcon (1931), the bizarre comedic Satan Met a Lady (1936), and the superb film noir version (1941).
Synopsis: The Maltese Falcon by Dashiell Hammett (1929)
Sam Spade is a private detective working in San Francisco. A woman identifying herself as Miss Wonderly appears in his office one day and asks for his help: she claims her sister is visiting the city in the company of a disagreeable man, and Wonderly wants the two separated. Spade’s partner Miles Archer takes over the case and agrees to shadow the man, Thursby, but that evening both Miles and Thursby are shot dead.
The next day, Spade meets up with Wonderly, who explains that she and Thursby were involved in a plot to capture an illusory, legendary, jewel-studded falcon statuette that has been smuggled around the world by treasure hunters through the ages. … Read the rest “The Maltese Falcon (Three Versions, 1931-1941)”
The Treasure of the Sierra Madre (1948). 126 minutes. Directed by John Huston. Starring Humphrey Bogart (as Fred C. Dobbs), Walter Huston (as Howard), Tim Holt (as Bob Curtin), Bruce Bennett (as James Cody), Barton MacLane (as Pat McCormick), Alfonso Bedoya (as Gold Hat), Arturo Soto Rangel (as El Presidente), Manuel Dondé (as El Jefe), José Torvay (as Pablo), Margarito Luna (as Pancho), Robert Blake (as boy selling lottery tickets), John Huston (as American in Tampico wearing white suit). Screenplay by John Huston. Music by Max Steiner.
The Treasure of the Sierra Madre is one of director John Huston’s masterpieces. It stars his father, Walter Huston, as a tough old miner who leads two aspiring prospectors into the mountains of Mexico in pursuit of gold. They do find gold, but they also discover a darker side to themselves that leads to betrayal and death. Its story about the corrupting power of wealth is in line with another movie that ends … Read the rest “The Treasure of the Sierra Madre (1948)”