The following article is a review of three film adaptations of Dashiell Hammett’s novel The Maltese Falcon: the pre-Code Maltese Falcon (1931), the bizarre comedic Satan Met a Lady (1936), and the superb film noir version (1941).
Synopsis: The Maltese Falcon by Dashiell Hammett (1929)
Sam Spade is a private detective working in San Francisco. A woman identifying herself as Miss Wonderly appears in his office one day and asks for his help: she claims her sister is visiting the city in the company of a disagreeable man, and Wonderly wants the two separated. Spade’s partner Miles Archer takes over the case and agrees to shadow the man, Thursby, but that evening both Miles and Thursby are shot dead.
The next day, Spade meets up with Wonderly, who explains that she and Thursby were involved in a plot to capture an illusory, legendary, jewel-studded falcon statuette that has been smuggled around the world by treasure hunters through the ages. … Read the rest
42nd Street (1933). 89 minutes. Directed by Lloyd Bacon. Musical sequences directed by Busby Berkeley. Starring Ruby Keeler (as Peggy Sawyer), Warner Baxter (as Julian Marsh), Bebe Daniels (as Dorothy Brock), George Brent (as Pat Denning), Guy Kibbee (as Abner Dillon), Ginger Rogers (as Ann Lowell), and Dick Powell (as Billy Lawler). Music and lyrics by Harry Warren and Al Dubin.
42nd Street is the first of four movies whose musical sequences Busby Berkeley directed for Warner Bros. from 1933 to 1934. Prior to 42nd Street, Berkeley had directed theatrical productions and short sequences for Eddie Cantor musicals, but 42nd Street was a different sort of vehicle, both for Berkeley and for Hollywood. According to Leonard Maltin, by 1933 movie-going audiences, which had been inundated with musicals since the birth of sound film technology a few years earlier, had grown tired of song-and-dance productions. As a musical that was also a backstage story, 42nd Street offered a fresh … Read the rest