The Hollywood Revue of 1929. 118 minutes. Directed by Charles Reisner. Featuring performances by the Albertina Rasch Dancers, George K. Arthur, Lionel Barrymore, The Brox Sisters, Joan Crawford, Karl Dane, Marion Davies, Marie Dressler, Cliff “Ukulele Ike” Edwards, Gus Edwards, John Gilbert, William Haines, Oliver Hardy, Buster Keaton, Charles King, Stan Laurel, Gwen Lee, Bessie Love, Polly Moran, Anita Page, and Norma Shearer. With Jack Benny and Conrad Nagel as masters of ceremonies.
The success of The Jazz Singer (1927) was the catalyst for the widespread use of synchronized sound in feature films, and as the studios began to manufacture sound productions en masse, they gravitated towards the format of the plotless musical revue. Metro-Goldwyn-Mayer’s The Hollywood Revue of 1929 is a glitzy entry in the genre that, like its contemporaries King of Jazz (1930) and Elstree Calling (1930), offers plentiful sights and sounds to exhibit the new technology. A modern audience will likely take diminished … Read the rest
Grand Hotel (1932). 112 minutes. Directed by Edmund Goulding. Starring Greta Garbo (as Grusinskaya), John Barrymore (as Baron Felix von Geigern), Joan Crawford (as Flaemmchen), Wallace Beery (as General Director Preysing), Lionel Barrymore (as Otto Kringelein), Lewis Stone (as Dr. Otternschlag), and Jean Hersholt (as Senf).
Grand Hotel is a 1932 American-made film set a few years earlier in Berlin at a time when Germany was inching towards Nazification. The movie depicts pre-Hitler Berlin as a dazzling center of cosmopolitan sophistication and adventure, sweeping us away with the interpersonal intrigue and romance of continental life. In the near future, the urbanity in which Grand Hotel revels (as well as the vulnerability associated with urban hotel life that it conveys) would become lost in the dysphoria that was sweeping through Europe—and yet in 1932 when the film was made, it was still possible to envision a Germany that was enveloped in the dreams and schemes of strangers passing each other softly … Read the rest
Hollywood Canteen (1944). 124 minutes. Directed by Delmer Daves. Starring Robert Hutton (as Slim Green) and Dane Clark (as Sergeant Nolan). Also starring as themselves: The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Kitty Carlisle, Joan Crawford, Bette Davis, Jimmy Dorsey, John Garfield, Sydney Greenstreet, Paul Henreid, Joan Leslie, Peter Lorre, Ida Lupino, Joan McCracken, Roy Rogers and Trigger, S. Z. Sakall, Barbara Stanwyck, and Jane Wyman.
Hollywood Canteen is a World War Two-era propaganda film that takes place in the real Hollywood Canteen, a wartime nightclub for G.I.s that operated from 1942 to 1945 and was staffed by Hollywood superstars. Inside the canteen, the most glamorous names in the film industry performed menial labor by preparing food, waiting tables, and cleaning up after guests, and provided entertainment on a main stage. The movie Hollywood Canteen offers us a glimpse of what a canteen guest’s experience might have been like while also promoting the war effort and the … Read the rest
Mildred Pierce (1945). 111 minutes. Directed by Michael Curtiz. Starring Joan Crawford (as Mildred Pierce Beragon), Jack Carson (as Wally Fay), Zachary Scott (as Monte Beragon), Eve Arden (as Ida Corwin), Ann Blyth (as Veda Pierce Forrester), Butterfly McQueen (as Lottie), Bruce Bennett (as Bert Pierce), Lee Patrick (as Maggie Biederhof), Veda Ann Borg (as Miriam Ellis), Moroni Olsen (as Inspector Peterson), and Jo Ann Marlowe (as Kay Pierce). Music by Max Steiner.
Mildred Pierce is equal parts entrepreneurial narrative, film noir, and melodrama. In some regards, it is an earnestly liberal tale about a hard-working woman who divorces, establishes her own business, and becomes a restaurant mogul. But it is also a lurid and somewhat punishing soap opera about her downfall, which is intertwined with and inseparable from her devotion to her evil young daughter Veda. In the end, in order to get its point across, the movie relies on a fairly conservative understanding of rightful social order and … Read the rest
The Women (1939). 133 minutes. Directed by George Cukor. Starring Norma Shearer (as Mary Haines), Joan Crawford (as Crystal Allen), Rosalind Russell (as Sylvia Fowler), Mary Boland (as the Countess De Lave), Paulette Goddard (as Miriam Aarons), Phyllis Povah (as Edith Potter), Joan Fontaine (as Peggy Day), Virginia Weidler (as Little Mary), Florence Nash (as Nancy Blake), Lucille Watson (as Mrs. Morehead), Marjorie Main (as Lucy), Dennie Moore (as Olga), Butterfly McQueen (as Lulu), and Hedda Hopper (as Dolly Dupuyster).
The late film critic Roger Ebert once wrote an aside on his blog that, rather than focusing on film, instead meditated on the general characteristics of the female sex. Ebert offered a perspective on women that may be familiar to you: that women are the ideal sex, that they have a natural proclivity for love and kindness, etc. “Women are better than men” is what he called his article. We have probably all heard these generalizations before, usually coming from … Read the rest