Safe in Hell (1931). 73 minutes. Directed by William Wellman. Starring Dorothy Mackaill (as Gilda Karlson), Donald Cook (as Carl Erickson), Ralf Harolde (as Piet Van Saal), Morgan Wallace (as Mr. Bruno), John Wray (as Eagan), Ivan Simpson (as Crunch), Victor Varconi (as General Gomez), Nina Mae McKinney (as Leonie), Charles Middleton (as Jones), Clarence Muse (as Newcastle), Gustav von Seyffertitz (as Larson), George F. Marion (as Jack), and Cecil Cunningham (as Angie).
Safe in Hell is a dark but wonderful pre-Code movie about a fiercely willed prostitute on the run from the law in New Orleans and the Caribbean. Although raped and exploited in the United States, and ultimately executed in the context of the seedy underbelly of the South Seas crime world, she lives out her days devoted to her lover and herself with a rebellious passion. And yet, in spite of its serious content, Safe in Hell is actually laden with a great deal of playfulness both … Read the rest
All the King’s Men (1949). 109 minutes. Directed by Robert Rossen. Starring Broderick Crawford (as Willie Stark), John Ireland (as Jack Burden), Joanne Dru (as Anne Stanton), John Derek (as Tom Stark), Mercedes McCambridge (as Sadie Burke), Shepperd Strudwick (as Adam Stanton), Anne Seymour (as Lucy Stark), Katharine Warren (as Mrs. Burden), Will Wright (as Dolph Pillsbury), Raymond Greenleaf (as Judge Monte Stanton), and Walter Burke (as Sugar Boy).
If you have seen Born Yesterday (1950), the wonderful movie about a woman (played by Judy Holiday) who learns about American democracy and in doing do is inspired to end an abusive romantic relationship, you may remember Broderick Crawford as the politically aspiring businessman and thug Harry Brock—the person from whom Holiday’s character frees herself. Crawford’s Brock is brutish and malevolent, but Born Yesterday is not the first time the actor played a civic-minded and power-hungry antagonist. A year earlier he was in the astounding but perhaps today less well-known All … Read the rest
One Million B.C. (1940). 80 minutes. Directed by Hal Roach and Hal Roach, Jr. Starring Victor Mature (as Tumak), Carole Landis (as Loana), Lon Chaney, Jr. (as Akhoba), Conrad Nagel (as narrator), John Hubbard (as Ohtao), Nigel De Brulier (as Peytow), Mamo Clark (as Nupondi), and Inez Palange (as Tohana).
If you have never seen One Million B.C., chances are that if you like old B movies, you have seen it in some other capacity. Portions of it were used as stock footage for years afterwards in such films as the awful Robot Monster (1953) and Teenage Cave Man (1958). Additionally, its Academy Award-nominated visuals inspired the special effects of other monster movies that may also be known to you, such as The Giant Gila Monster (1959) and The Killer Shrews (1959). One Million B.C. is marginally better than those movies—less exploitative, more thoughtful, and more ambitious. But it remains a great example of why movies about prehistoric people … Read the rest
Black Narcissus (1947). 100 minutes. Directed by Michael Powell and Emeric Pressburger. Starring Deborah Kerr (as Sister Clodagh), Sabu (as the young general), David Farrar (as Mr. Dean), Kathleen Byron (as Sister Ruth), Flora Robson (as Sister Philippa), Jenny Laird (as Sister Honey), Judith Firse (as Sister Briony), Esmond Knight (as the old general), Jean Simmons (as Kanchi), and May Hallatt (as Angu Ayah).
Black Narcissus is a film of astonishing beauty. I liked it even more than I did The Red Shoes (1948), which was also created by The Archers, the production duo consisting of Michael Powell and Emeric Pressburger. Both films tell their stories, which are more than tinged with melodrama, in beautiful three-strip Technicolor. But whereas The Red Shoes tells a story about creative passion that its characters express nightly as members of a ballet company, Black Narcissus documents the development of smoldering erotic passion among a group of Roman-Catholic nuns living in a palace atop … Read the rest