The Adventures of Prince Achmed (1926). 65 minutes. Written and directed by Lotte Reiniger. Cinematography by Carl Koch. Based on The Arabian Nights.
Lotte Reiniger’s The Adventures of Prince Achmed is the earliest surviving feature-length animated film. Based on The Arabian Nights and brought to life with silhouettes, its story is both refined and complex. Prince Achmed’s noble characters travel around the world, undertake fantastic quests, and perform heroic deeds in plotlines that interconnect and move fluidly across geography and time. Its art direction is also sublime. Although Reiniger’s use of silhouettes was not to become the norm in mainstream European and American animated films, her exquisite work hints at the possibilities inherent in animation before cel art became prominent. The movie is a shining example of the beauty, sophistication, and inventiveness typical of the late silent period.
When the story begins, a nameless African magician visits the court of the Caliph and presents him with a magic horse … Read the rest
The Curse of the Cat People (1944). 70 minutes. Directed by Robert Wise and Gunther von Fritsch. Starring Simone Simon (as Irena Reed), Kent Smith (as Oliver Reed), Jane Randolph (as Alice Reed), Ann Carter (as Amy Reed), Eve March (as Miss Callahan), Julia Dean (as Mrs. Julia Farren), Elizabeth Russell (as Barbara Farren), and Sir Lancelot (as Edward). Produced by Val Lewton.
You may see this movie because you have seen Cat People (1942), a wonderful horror movie about a woman who believes that she is descended from a race of humans who can transform into felines. But The Curse of the Cat People is not a horror film like its predecessor, even though it was given a horror-movie title, and it does not really have much to do with the metamorphosing characters of Cat People either. It chiefly focuses on a lonely young girl named Amy who may or may not be able to see the deceased … Read the rest
Un Chien Andalou (1929). 21 minutes. Directed by Luis Buñuel. Starring Simone Mareuil (as young girl), Pierre Batcheft (as young man and second young man), Luis Buñuel (as man in prologue), Salvador Dalí (as seminarian and man on beach), Robert Hommet (as third young man), Fano Messan (as androgynous young woman), and Jaime Miraveilles (as seminarian). Written by Luis Buñuel and Salvador Dalí.
Un Chien Andalou is a silent short written by Luis Buñuel and Salvador Dalí that has developed a reputation among cineastes as required viewing. This surealist experiment, called “the most famous short film ever made” by Roger Ebert, was intended to shock audiences; Buñuel famously later said that he kept stones in his pocket at the premiere in case he needed to defend himself against enraged viewers. I would hesitate to say that it horrified the public, but it was a sensation and unnerved many of those who saw it. When viewing it recently, I had … Read the rest
Fantasia (1940). 126 minutes. Starring Deems Taylor (as Master of Ceremonies). Music conducted by Leopold Stokowski and performed by the Philadelphia Orchestra. Story direction by Joe Grant and Dick Huemer. Produced by Walt Disney and Ben Sharpsteen.
Fantasia is almost a complete anomaly in the Disney film canon. The third feature-length animated movie to emerge from Disney’s studios, it does not tell one overarching story but rather is a collection of eight short films inspired by and set to classical music. The sequences range from an abstract depiction of sound (Bach’s “Toccata and Fugue in D Minor”) to a grim scientific odyssey (Stravinsky’s “Rite of Spring”), from light comedies (Dukas’s “The Sorcerer’s Apprentice,” Ponchielli’s “Dance of the Hours”) to somber material (Mussorgsky’s “Night on Bald Mountain,” Schubert’s “Ave Maria”). The movie is one of Disney’s finest achievements, and it elevates animation by pairing cartoons with some of the greatest instrumental music in history. But due to its considerable budget, the … Read the rest