The Red Shoes (1948). 133 minutes. Directed by Michael Powell and Emeric Pressburger. Starring Moira Shearer (as Vicky Page), Marius Goring (as Julian Craster), Anton Walbrook (as Boris Lermontov), Léonide Massine (as Grischa Ljubov), Robert Helpmann (as Ivan Boleslawsky), Albert Bassermann (as Sergei Ratov), Ludmilla Tchérina (as Irina Boronskaya), Esmond Knight (as Livingstone Montague), and Austin Trevor (as Profesor Palmer).
The Red Shoes has been praised over the years by film titans such as Martin Scorsese and Gene Kelly for its striking images and dramatic ballet centerpiece. Scorsese has in particular touted its exquisite use of color, and Kelly used its lengthy and accomplished central dance sequence to convince executives that the extensive ballet at the end of An American in Paris (1951) would work. The movie’s art-minded directors Michael Powell and Emeric Pressburger (who together were known in the industry as The Archers) have long been recognized for their visually distinguished productions, and The Red Shoes was only one … Read the rest
Trouble in Paradise (1932). 83 minutes. Directed by Ernst Lubitsch. Starring Herbert Marshall (as Gaston Monescu/Gaston Lavalle), Miriam Hopkins (as Lily Vautier), Kay Francis (as Madame Mariette Colet), Edward Everett Horton (as François Filiba), Charles Ruggles (as the Major), and C. Aubrey Smith (as Adolph J. Giron).
Roger Ebert begins his wonderful review of Trouble in Paradise by observing that this movie is a comedy about adults, not the typically juvenile characters that masquerade as adults in modern-day Hollywood films. I would go so far as to say that Trouble in Paradise’s characters are the ultimate adults of the Golden Age of Hollywood: witty, wry, sophisticated, infinitely engaging, amusing, and immaculately dressed and groomed. In particular, the movie not only creates a mature atmosphere laced with champagne, erudite talk, and subtle scheming but also offers us grown-up sexuality, which its characters allude to frequently in word and action, and practice with refinement and enthusiasm. Even more than other daring Lubitsch … Read the rest
Steamboat Bill, Jr. (1928). 69 minutes. Directed by Charles Reisner. Starring Buster Keaton (as William Canfield, Jr.), Ernest Torrence (as William “Steamboat Bill” Canfield, Sr.), Marion Byron (as Kitty King), Tom McGuire (as J. J. King), and Tom Lewis (as Tom Carter).
Buster Keaton’s late silent film Steamboat Bill, Jr. was inspired by the 1911 song “Steamboat Bill” and in turn inspired Disney’s well-known 1928 animated short “Steamboat Willie” (the first cartoon to feature fully synchronized sound). In other words, it grew out of a timely reference and inspired a cartoon that may now strike us as antique. But watching Steamboat Bill, Jr. recently, I was struck by how timeless it is. The movie is not considered to be Keaton’s masterpiece—that honor falls to The General (1926)—but it still features outstanding riverbank stunts and an impressive hurricane sequence, complete with the famous shot of a building facade falling over Keaton’s head. However, part of what makes this movie and so … Read the rest