Baby Face (1933). 75 minutes. Directed by Alfred E. Green. Starring Barbara Stanwyck (as Lily Powers), George Brent (as Courtland Trenholm), Donald Cook (as Ned Stevens), Alphonse Ethier (as Adolf Cragg), Henry Kolker (as J. P. Carter), Margaret Lindsay (as Ann Carter), Arthur Hohl (as Ed Sipple), John Wayne (as Jimmy McCoy, Jr.), Robert Barrat (as Nick Powers), and Theresa Harris (as Chico).
Baby Face tells the story of a young woman who is sexually exploited for all of her young adulthood and who in a life-changing reversal determines that she will exploit men instead for her own personal gain. The film, which charts her quest to use sex to move up the corporate ladder, is frequently cited as a catalyst for the 1934 enforcement of the Hollywood Production Code, the set of industry censorship policies that regulated motion picture content. I have to admit that even as a fan of pre-Code movies, I was surprised by how brazen … Read the rest “Baby Face (1933)”
42nd Street (1933). 89 minutes. Directed by Lloyd Bacon. Musical sequences directed by Busby Berkeley. Starring Ruby Keeler (as Peggy Sawyer), Warner Baxter (as Julian Marsh), Bebe Daniels (as Dorothy Brock), George Brent (as Pat Denning), Guy Kibbee (as Abner Dillon), Ginger Rogers (as Ann Lowell), and Dick Powell (as Billy Lawler). Music and lyrics by Harry Warren and Al Dubin.
42nd Street is the first of four movies whose musical sequences Busby Berkeley directed for Warner Bros. from 1933 to 1934. Prior to 42nd Street, Berkeley had directed theatrical productions and short sequences for Eddie Cantor musicals, but 42nd Street was a different sort of vehicle, both for Berkeley and for Hollywood. According to Leonard Maltin, by 1933 movie-going audiences, which had been inundated with musicals since the birth of sound film technology a few years earlier, had grown tired of song-and-dance productions. As a musical that was also a backstage story, 42nd Street offered a fresh … Read the rest “42nd Street (1933)”