The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra Madre (1948). 126 minutes. Directed by John Huston. Starring Humphrey Bogart (as Fred C. Dobbs), Walter Huston (as Howard), Tim Holt (as Bob Curtin), Bruce Bennett (as James Cody), Barton MacLane (as Pat McCormick), Alfonso Bedoya (as Gold Hat), Arturo Soto Rangel (as El Presidente), Manuel Dondé (as El Jefe), José Torvay (as Pablo), Margarito Luna (as Pancho), Robert Blake (as boy selling lottery tickets), John Huston (as American in Tampico wearing white suit). Screenplay by John Huston. Music by Max Steiner.

The Treasure of the Sierra Madre is one of director John Huston’s masterpieces. It stars his father, Walter Huston, as a tough old miner who leads two aspiring prospectors into the mountains of Mexico in pursuit of gold. They do find gold, but they also discover a darker side to themselves that leads to betrayal and death. Its story about the corrupting power of wealth is in line with another movie that ends … Read the rest

Ziegfeld Girl (1941)

Ziegfeld Girl (1941). 132 minutes. Directed by Robert Z. Leonard. Starring James Stewart (as Gilbert Young), Judy Garland (as Susan Gallagher), Hedy Lamarr (as Sandra Kolter), Lana Turner (as Sheila Regan), Tony Martin (as Frank Merton), Jackie Cooper (as Jerry Regan), Eve Arden (as Patsy Dixon), Philip Dorn (as Franz Kolter), Charles Winniger (as “Pop” Gallagher), Ian Hunter (as Geoffrey Collis), and Edward Everett Horton (as Noble Sage). Musical sequences directed by Busby Berkeley.

Ziegfeld Girl is intended to be a follow-up to 1936’s The Great Ziegfeld, but whereas The Great Ziegfeld focuses on Florenz Ziegfeld (founder of the Ziegfeld Follies) and his rise to fame, Ziegfeld Girl charts the careers of three fictitious Follies showgirls. The similarities between the two movies are numerous, and towards its end, Ziegfeld Girl even recycles some of the footage from the earlier film, including The Great Ziegfeld’s famous rotating wedding cake set. While Ziegfeld Girl has many failings—including the fact that it … Read the rest

The Last Laugh (1924)

The Last Laugh (1924). 91 minutes. Directed by F. W. Murnau. Starring Emil Jannings (as hotel doorman), Maly Delschaft (as his niece), Max Hiller (as her bridegroom), Emilie Kurz (as bridegroom’s aunt), Hans Unterkircher (as hotel manager), Olaf Storm (as young guest), Hermann Vallentin (as guest with pot belly), Georg John (as night watchman), and Emmy Wyda (as thin neighbor). Cinematography by Karl Freund.

The plot of The Last Laugh can be encapsulated in a simple sentence: an anonymous hotel doorman is demoted. Despite its simple premise, however, this silent movie is an astonishingly profound depiction of human misery. Relying on camera movement and gesture to convey meaning throughout, and using only one title card during its 91-minute running time, The Last Laugh relies more than most films on visual elements to tell its story. It is essential viewing for anyone who cares about early movies.

An enthusiastic hotel doorman is observed drinking on the job one day by the … Read the rest

San Francisco (1936)

San Francisco (1936). 115 minutes. Directed by W. S. Van Dyke. Starring Clark Gable (as Blackie Norton), Jeanette MacDonald (as Mary Blake), Spencer Tracy (as Father Tim Mullin), Jack Holt (as Jack Burley), Jessie Ralph (as Mrs. Burley), Ted Healy (as Mat), Shirley Ross (as Trixie), Edgar Kennedy (as sheriff), Al Shean (as professor), and William Ricciardi (as Signor Baldini). Songs by Walter Jurmann, Bronislaw Kaper, and Edward Ward.

San Francisco has the potential to be a good movie. It has great music, including the song “San Francisco,” which was composed especially for it; features Jeanette MacDonald, Clark Gable, and Spencer Tracy; makes use of contributions from directors D. W. Griffith and Erich von Stroheim; and is set in one of the greatest cities in the world in the days before its most impressive catastrophe, the 1906 earthquake. Yet San Francisco’s story is both fairly conventional and a strange compilation of genres, with the plot beginning as a familiar story … Read the rest

The Great Train Robbery (1903)

The Great Train Robbery (1903). 12 minutes. Directed by Edwin S. Porter. Starring Alfred C. Abadie (as sheriff), Broncho Billy Anderson (as bandit, shot passenger, and dancer), Justus D. Barnes (as bandit who fires at camera), Walter Cameron (as sheriff), Donald Gallaher (as little boy), Frank Hanaway (as bandit), Adam Charles Hayman (as bandit), John Manus Dougherty, Sr. (as bandit), Marie Murray (as dancer), and Mary Snow (as little girl). Written and produced by Edwin S. Porter.

The silent short The Great Train Robbery is considered to be a landmark in early film. It is the first Western (although it was not shot in the American West), the first action film, and one of the first narrative films. It features legendary Western actor Broncho Billy Anderson, who would go on to found Essanay Studios near Fremont, California. It also contains one of the most iconic final images in all of film: in the last frames, a bandit (played by … Read the rest

King of Jazz (1930)

King of Jazz (1930). 105 minutes. Directed by Paul Fejos and John Murray Anderson. Starring Paul Whiteman and His Orchestra, The Rhythm Boys (Bing Crosby, Al Rinker, Harry Barris), Joe Venuti, Eddie Lang, Willie Hall, Jeanie Lang, George Chiles, John Boles, Wilbur Hall, Al Norman, Jeanette Loff, Stanley Smith, The Russell Markert Girls, The Sisters G, Glenn Tryon, Laura LaPlante, and The Brox Sisters. Art direction by Herman Rosse. Animation by Walter Lantz and William Nolan.

The American King of Jazz, like the British Elstree Calling (1930), is a surviving musical revue from the early days of sound. Filmed in two-strip Technicolor, which emphasizes shades of turquoise and rose, it, unlike Elstree Calling, is a lavish production with impressive sets and gorgeous costumes. Herman Rosse, who created King of Jazz’s often remarkable visual style, won an Academy Award for Best Art Direction for his work on the film. King of Jazz was not successful upon its initial … Read the rest

A Trip to the Moon (1902)

A Trip to the Moon (1902). 16 minutes. Directed by Georges Méliès. Starring Georges Méliès (as Professor Barbenfouillis); Bleuette Bernon (as Phoebe); François Lallement (as officer of the marines); Henri Delanney (as captain of the rocket); Jule-Eugène Legris (as parade leader); Victor André, Delpierre, Farjaux, Kelm, and Brunnet (as astronomers); Ballet of the Théâtre du Châtelet (as stars and cannon attendants); and the acrobats of the Folies Bergère (as Selenites). Written and produced by Georges Méliès.

A Trip to the Moon is without a doubt one of the most iconic movies ever made. Fritz Kramer has argued that the film’s moon, which is styled as a human face, is so famous that it “is instantly recognizable even to people who have never seen a single silent film.” The movie is based on the Jules Verne novels From the Earth to the Moon (1865) and Around the Moon (1870), as well as H. G. Wells’s The First Men in the Moon … Read the rest

The Best Years of Our Lives (1946)

The Best Years of Our Lives (1946). 172 minutes. Directed by William Wyler. Starring Frederic March (as Al Stephenson), Myrna Loy (as Milly Stephenson), Dana Andrews (as Fred Derry), Teresa Wright (as Peggy Stephenson), Virginia Mayo (as Marie Derry), Harold Russell (as Homer Parrish), Cathy O’Donnell (as Wilma Cameron), Gladys George (as Hortense Derry), Roman Bohnen (as Pat Derry), Hoagy Carmichael (as Butch Engle), Ray Collins (as Mr. Milton), Minna Gombell (as Mrs. Parrish), Walter Baldwin (as Mr. Parrish), Dorothy Adams (as Mrs. Cameron), Don Beddoe (as Mr. Cameron), and Michael Hall (as Rob Stephenson). Cinematography by Gregg Toland. Music by Hugo Friedhofer and Emil Newman.

The Best Years of Our Lives tells the story of three servicemen returning to their Midwestern hometown after World War II and the difficulty with which they adjust to life as civilians, family members, and husbands or boyfriends. It is notably rather frank about the challenges involved in their re-immersion into domestic life, presenting … Read the rest

Top Hat (1935)

Top Hat (1935). 101 minutes. Directed by Mark Sandrich. Starring Fred Astaire (as Jerry Travers), Ginger Rogers (as Dale Tremont), Edward Everett Horton (as Horace Hardwick), Erik Rhodes (as Alberto Beddini), Helen Broderick (as Madge Hardwick), and Eric Blore (as Bates). Music by Irving Berlin.

Top Hat remains the most commercially successful musical made by Fred Astaire and Ginger Rogers during their film partnership in the 1930s. In it, Astaire plays dancer Jerry Travers, who is headlining a revue on the London stage. While noisily tap-dancing in his producer and friend Horace Hardwick’s hotel room, Jerry encounters the woman in the room downstairs, Dale Tremont (played by Ginger Rogers), who complains about Jerry’s impromptu performance to the hotel. He falls  in love instantly. She, however, cannot stand him, his noisy tap-dancing, or his efforts to woo her. Through a series of misunderstandings, she also comes to confuse him with his producer Hardwick, whose wife Madge she happens to be friends … Read the rest

Shadow of a Doubt (1943)

Shadow of a Doubt (1943). 108 minutes. Directed by Alfred Hitchcock. Starring Teresa Wright (as Charlotte “Young Charlie” Newton), Joseph Cotten (as Charles “Uncle Charlie” Oakley), Henry Travers (as Joseph Newton), Patricia Collinge (as Emma Newton), Macdonald Carey (as Detective Jack Graham), Wallace Ford (as Detective Fred Saunders), Hume Cronyn (as Herbie Hawkins), Edna May Wonacott (as Ann Newton), and Charles Bates (as Roger Newton).

Shadow of a Doubt is one of Hitchcock’s great triumphs, said to be his favorite of his films. It presents in many regards a very basic story about a small-town American family that is visited by an outsider, a relative from far away who brings with him danger and intrigue. But it manages to elevate this familiar narrative to the level of the exquisite through the artful creation of tension, through the beauty of its setting, and through its impressive writing and acting. Told through the experiences of Charlotte “Young Charlie” Newton (played by Teresa … Read the rest