The Hollywood Revue of 1929. 118 minutes. Directed by Charles Reisner. Featuring performances by the Albertina Rasch Dancers, George K. Arthur, Lionel Barrymore, The Brox Sisters, Joan Crawford, Karl Dane, Marion Davies, Marie Dressler, Cliff “Ukulele Ike” Edwards, Gus Edwards, John Gilbert, William Haines, Oliver Hardy, Buster Keaton, Charles King, Stan Laurel, Gwen Lee, Bessie Love, Polly Moran, Anita Page, and Norma Shearer. With Jack Benny and Conrad Nagel as masters of ceremonies.
The success of The Jazz Singer (1927) was the catalyst for the widespread use of synchronized sound in feature films, and as the studios began to manufacture sound productions en masse, they gravitated towards the format of the plotless musical revue. Metro-Goldwyn-Mayer’s The Hollywood Revue of 1929 is a glitzy entry in the genre that, like its contemporaries King of Jazz (1930) and Elstree Calling (1930), offers plentiful sights and sounds to exhibit the new technology. A modern audience will likely take diminished … Read the rest
The Divorcee (1930). 84 minutes. Directed by Robert Z. Leonard. Starring Norma Shearer (as Jerry Martin), Chester Morris (as Ted Martin), Conrad Nagel (as Paul), Robert Montgomery (as Don), Helen Johnson (as Dorothy), Florence Eldridge (as Helen Baldwin), Helene Millard (as Mary), Robert Elliott (as Bill Baldwin), Mary Doran (as Janice Meredith), Tyler Brooke (as Hank), and George Irving (as Dr. Bernard).
The Divorcee is a pre-Code drama that explores betrayal, revenge, and sexual double standards. In particular, it focuses on one woman’s efforts to overturn those standards in an attempt to wound her cheating ex-husband. The movie shows us a fair amount of wild living and is rather frank about its characters’ sex lives while they are single, married, and divorced, making it one of the most provocative of the pre-Code films. Nevertheless, it takes pains to demonstrate how unsatisfying the protagonist’s quest to hurt her ex is. The overall effect is that while the movie allows its female … Read the rest
The Women (1939). 133 minutes. Directed by George Cukor. Starring Norma Shearer (as Mary Haines), Joan Crawford (as Crystal Allen), Rosalind Russell (as Sylvia Fowler), Mary Boland (as the Countess De Lave), Paulette Goddard (as Miriam Aarons), Phyllis Povah (as Edith Potter), Joan Fontaine (as Peggy Day), Virginia Weidler (as Little Mary), Florence Nash (as Nancy Blake), Lucille Watson (as Mrs. Morehead), Marjorie Main (as Lucy), Dennie Moore (as Olga), Butterfly McQueen (as Lulu), and Hedda Hopper (as Dolly Dupuyster).
The late film critic Roger Ebert once wrote an aside on his blog that, rather than focusing on film, instead meditated on the general characteristics of the female sex. Ebert offered a perspective on women that may be familiar to you: that women are the ideal sex, that they have a natural proclivity for love and kindness, etc. “Women are better than men” is what he called his article. We have probably all heard these generalizations before, usually coming from … Read the rest