The Devil-Doll (1936)

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The Devil-Doll (1936)

The Devil-Doll (1936). 79 minutes. Directed by Tod Browning. Starring Lionel Barrymore (as Paul Lavond), Maureen O’Sullivan (as Lorraine Lavond), Frank Lauton (as Toto), Rafaela Ottiano (as Malita), Robert Greig (as Emil Coulvet), Lucy Beaumont (as Madame Lavond), Henry B. Walthall (as Marcel), Grace Ford (as Lachna), Pedro de Cordoba (as Charles Matin), Arthur Hohl (as Victor Radin), Juanita Quigley (as Marguerite Coulvet), Claire Du Brey (as Madame Coulvet), and Rollo Lloyd (as Detective Maurice).

The Devil-Doll is a horror movie written and directed by Tod Browning, who brought us Freaks (1932), the controversial pre-Code¬†film that effectively triggered the beginning of the end of his career. Thus one reason to view¬†The Devil-Doll is to see Browning’s penchant for lurid plots in its final throes. In some regards, Freaks and The Devil-Doll share much in common, including depictions of deformity, little people (broadly defined), and a revenge plot: the 1936 movie offers us miniature human killers, hypnotically controlled … Read the rest

Tarzan, the Ape Man (1932)

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Tarzan, the Ape Man (1932)

Tarzan, the Ape Man (1932). 99 minutes. Directed by W. S. Van Dyke. Starring Maureen O’Sullivan (as Jane Parker), Johnny Weissmuller (as Tarzan), Neil Hamilton (as Harry Holt), and C. Aubrey Smith (as James Parker). Dialogue by Ivor Novello.

Edgar Rice Burroughs’s Tarzan novels spawned a phenomenally successful franchise that extended into cinema, radio, television, and comic strips. Although the specifics of Tarzan’s character and his basic plot trajectory vary depending on the retelling, Burroughs’s fundamental story involves the wild man living amongst jungle apes and falling for a British female explorer. One of the best expressions of the full-on, kinky possibilities latent in this framework is the 1932 pre-Code Tarzan, the Ape Man. The movie is in some ways monolithic and crude in its colonialist rhetoric; there is a great deal of shouting, animal grunting, humans falling prey to jungle beasts, and condescending depictions of native types. But while the movie is blunt in terms of overall sentiment, … Read the rest