Baby Face (1933). 75 minutes. Directed by Alfred E. Green. Starring Barbara Stanwyck (as Lily Powers), George Brent (as Courtland Trenholm), Donald Cook (as Ned Stevens), Alphonse Ethier (as Adolf Cragg), Henry Kolker (as J. P. Carter), Margaret Lindsay (as Ann Carter), Arthur Hohl (as Ed Sipple), John Wayne (as Jimmy McCoy, Jr.), Robert Barrat (as Nick Powers), and Theresa Harris (as Chico).
Baby Face tells the story of a young woman who is sexually exploited for all of her young adulthood and who in a life-changing reversal determines that she will exploit men instead for her own personal gain. The film, which charts her quest to use sex to move up the corporate ladder, is frequently cited as a catalyst for the 1934 enforcement of the Hollywood Production Code, the set of industry censorship policies that regulated motion picture content. I have to admit that even as a fan of pre-Code movies, I was surprised by how brazen … Read the rest
The Devil-Doll (1936). 79 minutes. Directed by Tod Browning. Starring Lionel Barrymore (as Paul Lavond), Maureen O’Sullivan (as Lorraine Lavond), Frank Lauton (as Toto), Rafaela Ottiano (as Malita), Robert Greig (as Emil Coulvet), Lucy Beaumont (as Madame Lavond), Henry B. Walthall (as Marcel), Grace Ford (as Lachna), Pedro de Cordoba (as Charles Matin), Arthur Hohl (as Victor Radin), Juanita Quigley (as Marguerite Coulvet), Claire Du Brey (as Madame Coulvet), and Rollo Lloyd (as Detective Maurice).
The Devil-Doll is a horror movie written and directed by Tod Browning, who brought us Freaks (1932), the controversial pre-Code film that effectively triggered the beginning of the end of his career. Thus one reason to view The Devil-Doll is to see Browning’s penchant for lurid plots in its final throes. In some regards, Freaks and The Devil-Doll share much in common, including depictions of deformity, little people (broadly defined), and a revenge plot: the 1936 movie offers us miniature human killers, hypnotically controlled … Read the rest