The Jolson Story (1946)

The Jolson Story (1946)

The Jolson Story (1946). 130 minutes. Directed by Alfred E. Green. Starring Larry Parks (as Al Jolson), Evelyn Keyes (as Julie Benson), William Demarest (as Steve Martin), Bill Goodwin (as Tom Baron), Ludwig Donath (as Cantor Yoelson), Tamara Shayne (as Mrs. Yoelson), Scotty Beckett (as young Asa Yoelson), Jo-Carroll Dennison (as Ann Murray), and John Alexander (as Lew Dockstader). With vocal performances by Al Jolson.

Al Jolson is billed as “America’s greatest entertainer” in the tagline for The Jolson Story. However, I would be surprised to hear anyone alive today describe him in a similar way. Jolson will forever be associated with groundbreaking cinema because of his performance in The Jazz Singer (1927), the first feature-length film to use synchronized sound; and Hallelujah! I’m a Bum (1932), another of his starring vehicles, is one of the finest films of the 1930s. But in spite of the tremendous success he enjoyed during his lifetime, his legacy as a … Read the rest

Baby Face (1933)

Baby Face (1933)

Baby Face (1933). 75 minutes. Directed by Alfred E. Green. Starring Barbara Stanwyck (as Lily Powers), George Brent (as Courtland Trenholm), Donald Cook (as Ned Stevens), Alphonse Ethier (as Adolf Cragg), Henry Kolker (as J. P. Carter), Margaret Lindsay (as Ann Carter), Arthur Hohl (as Ed Sipple), John Wayne (as Jimmy McCoy, Jr.), Robert Barrat (as Nick Powers), and Theresa Harris (as Chico).

Baby Face tells the story of a young woman who is sexually exploited for all of her young adulthood and who in a life-changing reversal determines that she will exploit men instead for her own personal gain. The film, which charts her quest to use sex to move up the corporate ladder, is frequently cited as a catalyst for the 1934 enforcement of the Hollywood Production Code, the set of industry censorship policies that regulated motion picture content. I have to admit that even as a fan of pre-Code movies, I was surprised by how brazen … Read the rest