Scarlet Street (1945). 102 minutes. Directed by Fritz Lang. Starring Edward G. Robinson (as Christopher Cross), Joan Bennett (as Katharine “Kitty” March), Dan Duryea (as Johnny Prince), Margaret Lindsay (as Millie Rae), Rosalind Ivan (as Adele Cross), Jess Barker (as David Janeway), Charles Kemper (as Patch-eye Higgins), and Russell Hicks (as J. J. Hogarth).
Scarlet Street is a remake of Jean Renoir’s La Chienne (1931), but whereas La Chienne was made at the beginning of a decade that offered merely the seeds of film noir, Scarlet Street was made by Fritz Lang in the greatest period of this cinematic mode. The remake works splendidly, and Renoir’s story is right at home in a moody 1940s American nightscape replete with darkened streets, shadowy relationships, and moral turpitude. Above all I recommend it because it stars Edward G. Robinson, who is so often typecast as a tough guy or gangster, as a sensitive painter who is taken advantage of by two clever … Read the rest “Scarlet Street (1945)”
Tales of Manhattan (1942). 118 minutes. Directed by Julien Duvivier. Starring Charles Boyer (as Paul Orman), Rita Hayworth (as Ethel Halloway), Thomas Mitchell (as John Halloway), Eugene Pallette (as Luther), Ginger Rogers (as Diane), Henry Fonda (as George), Cesar Romero (as Harry Wilson), Charles Laughton (as Charles Smith), Victor Francen (as Arturo Bellini), Elsa Lanchester (as Elsa Smith), Edward G. Robinson (as Avery “Larry” Browne), George Sanders (as Williams), Harry Davenport (as Professor Lyons), Paul Robeson (as Luke), Ethel Waters (as Esther), and Eddie “Rochester” Anderson (as Rev. Lazarus).
Tales of Manhattan is a compilation of five stories that follow the transference of a black tailcoat from one person to another in New York City. Over the course of the film, the tailcoat is bought new, sold used with a bullet hole in it to a man on his wedding day, torn apart through the exertions of a conductor who is too large for it, repaired for a charity case, … Read the rest “Tales of Manhattan (1942)”
Little Caesar (1931). 79 minutes. Directed by Mervyn LeRoy. Starring Edward G. Robinson (as Caesar Enrico Bandello/“Little Caesar”), Douglas Fairbanks, Jr. (as Joe Massara), Glenda Farrell (as Olga Stassoff), William Collier, Jr. (as Tony Passa), Sidney Blackmer (as Big Boy), Ralph Ince (as Diamond Pete Montana), Thomas E. Jackson (as Sergeant Flaherty), Stanley Fields (as Sam Vettori), Maurice Black (as Little Arnie Lorch), and George E. Stone (as Otero).
Little Caesar is a gangster movie from the early days of sound—so early, in fact, that it still includes title cards to announce major transitions in a few scenes. It was made before the Production Code was in place, which means that it is more risqué and more violent than movies produced only a few years later when the Code was enforced. The film made Edward G. Robinson a star, and its influence is wide-ranging. The climactic scene in The Godfather (1972) where Michael Corleone’s men gun down an enemy on … Read the rest “Little Caesar (1931)”
Double Indemnity (1944). Directed by Billy Wilder. Starring Fred MacMurray (as Walter Neff), Barbara Stanwyck (as Phyllis Dietrichson), and Edward G. Robinson (as Barton Keyes). Screenplay by Raymond Chandler.
Double Indemnity manages to do something many may have thought impossible: it makes the insurance business seem sexy, exciting, and dangerous. In this film noir, insurance salesman Walter Neff (played by Fred MacMurray) drops by the house of Phyllis Dietrichson (played by Barbara Stanwyck) to renew her husband’s auto policy one afternoon, and eventually, due to his sleazy infatuation with Mrs. Dietrichson, he consents to forging new life insurance papers for her husband that she can use to cash in on an enormous sum once she has tidily eliminated him. It does not take long for the seemingly decent Neff to succumb to Mrs. Dietrichson’s wiles, and soon he is masterminding the plot not only to kill Mr. Dietrichson but to do it in the most profitable way: via a double … Read the rest “Double Indemnity (1944)”