The Blue Bird (1940). 88 minutes. Directed by Walter Lang. Starring Shirley Temple (as Mytyl), Johnny Russell (as Tyltyl), Eddie Collins (as Tylo), Gale Sondergaard (as Tylette), Helen Ericson (as Light), Spring Byington (as Mummy Tyl), Russell Hicks (as Daddy Tyl), Cecilia Loftus (as Granny Tyl), Al Shean (as Grandpa Tyl), Sybil Jason (as Angela), Nigel Bruce (as Mr. Luxury), Laura Hope Crews (as Mrs. Luxury), Thurston Hall (as Father Time), Jessie Ralph (as Fairy Berylune). Based on the play by Maurice Maeterlinck.
The Blue Bird is one of the worst movies from early cinema that I have yet reviewed, and I have written about both Reefer Madness (1936) and Maniac (1934). It is certainly one of the most expensive bad movies that I have reviewed, featuring one of the biggest stars of Hollywood’s Golden Age, Shirley Temple. The Blue Bird caused problems for Temple and for her studio, 20th Century Fox, as it failed to prove a profitable … Read the rest
Scarlet Street (1945). 102 minutes. Directed by Fritz Lang. Starring Edward G. Robinson (as Christopher Cross), Joan Bennett (as Katharine “Kitty” March), Dan Duryea (as Johnny Prince), Margaret Lindsay (as Millie Rae), Rosalind Ivan (as Adele Cross), Jess Barker (as David Janeway), Charles Kemper (as Patch-eye Higgins), and Russell Hicks (as J. J. Hogarth).
Scarlet Street is a remake of Jean Renoir’s La Chienne (1931), but whereas La Chienne was made at the beginning of a decade that offered merely the seeds of film noir, Scarlet Street was made by Fritz Lang in the greatest period of this cinematic mode. The remake works splendidly, and Renoir’s story is right at home in a moody 1940s American nightscape replete with darkened streets, shadowy relationships, and moral turpitude. Above all I recommend it because it stars Edward G. Robinson, who is so often typecast as a tough guy or gangster, as a sensitive painter who is taken advantage of by two clever … Read the rest