My Man Godfrey (1936)

My Man Godfrey (1936)

My Man Godfrey (1936). 94 minutes. Directed by Gregory La Cava. Starring William Powell (as Godfrey), Carole Lombard (as Irene Bullock), Alice Brady (as Angelica Bullock), Gail Patrick (as Cornelia Bullock), Eugene Pallette (as Alexander Bullock), Jean Dixon (as Molly), Alan Mowbray (as Tommy Gray), Mischa Auer (as Carlo), and Pat Flaherty (as Mike Flaherty).

My Man Godfrey is a kind of topsy-turvy fairy tale about the Great Depression: a society girl finds a hobo whom she adopts and transforms into a butler, but in the end he reveals that he is really a member of the upper classes. Much like the princes of fairy tales, the butler Godfrey is on a personal quest laden with trials, except that his quest involves moving through the American social hierarchy, becoming first a member of one class, then another, and then another. Although the movie is a screwball comedy set in ritzy 1930s Manhattan and features large sets, beautiful clothes, and quirky … Read the rest

Tales of Manhattan (1942)

Tales of Manhattan (1942)

Tales of Manhattan (1942). 118 minutes. Directed by Julien Duvivier. Starring Charles Boyer (as Paul Orman), Rita Hayworth (as Ethel Halloway), Thomas Mitchell (as John Halloway), Eugene Pallette (as Luther), Ginger Rogers (as Diane), Henry Fonda (as George), Cesar Romero (as Harry Wilson), Charles Laughton (as Charles Smith), Victor Francen (as Arturo Bellini), Elsa Lanchester (as Elsa Smith), Edward G. Robinson (as Avery “Larry” Browne), George Sanders (as Williams), Harry Davenport (as Professor Lyons), Paul Robeson (as Luke), Ethel Waters (as Esther), and Eddie “Rochester” Anderson (as Rev. Lazarus).

Tales of Manhattan is a compilation of five stories that follow the transference of a black tailcoat from one person to another in New York City. Over the course of the film, the tailcoat is bought new, sold used with a bullet hole in it to a man on his wedding day, torn apart through the exertions of a conductor who is too large for it, repaired for a charity case, … Read the rest

Mr. Smith Goes to Washington (1939)

"Mr. Smith Goes to Washington" (1939) featured image

Mr. Smith Goes to Washington (1939). 129 minutes. Directed by Frank Capra. Starring James Stewart (as Jefferson Smith), Jean Arthur (as Clarissa Saunders), Claude Rains (as Senator Joseph Harrison Paine), Edward Arnold (as Jim Taylor), Guy Kibbee (as Governor Hubert Hopper), Thomas Mitchell (as “Diz” Moore), Eugene Pallette (as Chick McGann), Harry Carey (as President of the Senate), and Beulah Bondi (as Ma Smith).

Mr. Smith Goes to Washington is considered one of the great movies of Hollywood’s Golden Age. As a celebration of the role of goodness in American politics, the movie optimistically maintains that average, decent people can make meaningful contributions to democratic government, yet it also provides an unflinching depiction of the unprincipled nature of Washington culture.  At the same time, while it tells the morally tinged story of one man’s struggle to triumph virtuously over his political adversaries, it represents the American democratic process with a decent amount of precision and accuracy, despite the fact that … Read the rest

The Bride Came C.O.D. (1941)

"The Bride Came C.O.D." Detail from a movie poster.

The Bride Came C.O.D. (1941). 92 minutes.  Directed by William Keighley.  Starring James Cagney (as Steve Collins), Bette Davis (as Joan Winfield), Eugene Pallette (as Lucius Winfield), and Harry Davenport (as “Pop” Tolliver).

The Bride Came C.O.D. is reminiscent of two other films that I have reviewed recently.  Like von Stroheim’s Greed, it was filmed in Death Valley when temperatures were high.  Like It Happened One Night, it features a wealthy heiress who wants to marry a dashing celebrity of whom her father disapproves, and the plot involves her displacement and an elaborate hunt to locate her.

By the early 1940s, Bette Davis and James Cagney were looking for new material.  Cagney had flourished playing gangster characters in movies such as The Public Enemy, and Davis had had great success in melodramas such as Jezebel and Of Human Bondage, but both actors thought a comedy was necessary to move their careers in fresh directions.  What they … Read the rest