The Other Side of the Wind (2018). 122 minutes. Directed by Orson Welles. Starring John Huston (as J. J. “Jake” Hannaford), Peter Bogdanovich (as Brooks Otterlake), Susan Strasberg (as Juliette Rich), Norman Foster (as Billy Boyle), Oja Kodar (as the Actress), Bob Random (as John Dale), Joseph McBride (as Marvin Pister), Lilli Palmer (as Zarah Valeska), Edmond O’Brien (as Pat Mullins), Mercedes McCambridge (as Maggie Noonan), Cameron Mitchell (as Matt “Zimmie” Zimmer), Dan Tobin (as Dr. Bradley Pease Burroughs), Cathy Lucas (as Mavis Henscher), and Tonio Selwart (as the Baron). Featuring Henry Jaglom, Paul Mazursky, Claude Chabrol, Curtis Harrington, and Dennis Hopper as themselves. Cinematography by Gary Graver. Edited by Bob Murawski and Orson Welles. Produced by Frank Marshall and Filip Jan Rymsza.
This November, 48 years after its first day of shooting, Orson Welles’s film The Other Side of the Wind was finally released to the general public on Netflix. The film was not Welles’s last (he left … Read the rest
This 31-minute audio recording was made by film critic, screenwriter, and actor Joseph McBride on August 23, 1970—the first day of shooting on The Other Side of the Wind, Orson Welles’s film about the last day in the life of fictional director J. J. “Jake” Hannaford (played by John Huston). The recording features McBride (as Marvin Pister) rehearsing a scene with Peter Bogdanovich (as Charles Higgam) at Welles’s house in Beverly Hills, with Welles directing. Bogdanovich would later be recast as Brooks Otterlake.
Many thanks to McBride for making the recording available to Kozak’s Classic Cinema.… Read the rest
Synopsis: Erin Elisavet Kozak, “The Marx Brothers’ ‘Everyone Says “I Love You’” in Film and Popular Music.” Published in The Discographer Magazine, vol. 3, no. 5 (April 2016): pp. 3-12.
When Peter Bogdanovich spoke with director Leo McCarey in the late 1960s about McCarey’s film Duck Soup (1933), Bogdanovich remarked: “A lot of people think it’s [the Marx Brothers’] best picture: there’s no harp or piano playing, no interludes, no love interest—those things slowed up their other comedies terribly…” The earlier Marx Brothers picture Horse Feathers (1932) contains all of the elements that Bogdanovich singles out as weaknesses, in particular musical interludes; but while many people might consider Duck Soup to be the Marx Brothers’ greatest cinematic achievement, the musical sequences in Horse Feathers, featuring Bert Kalmar and Harry Ruby’s “Everyone Says ‘I Love You,’” boast some of their most memorable material.
In the first half of this article, I argue that the musical interludes of Horse Feathers… Read the rest