The Other Side of the Wind (2018). 122 minutes. Directed by Orson Welles. Starring John Huston (as J. J. “Jake” Hannaford), Peter Bogdanovich (as Brooks Otterlake), Susan Strasberg (as Juliette Rich), Norman Foster (as Billy Boyle), Oja Kodar (as the Actress), Bob Random (as John Dale), Joseph McBride (as Marvin Pister), Lilli Palmer (as Zarah Valeska), Edmond O’Brien (as Pat Mullins), Mercedes McCambridge (as Maggie Noonan), Cameron Mitchell (as Matt “Zimmie” Zimmer), Dan Tobin (as Dr. Bradley Pease Burroughs), Cathy Lucas (as Mavis Henscher), and Tonio Selwart (as the Baron). Featuring Henry Jaglom, Paul Mazursky, Claude Chabrol, Curtis Harrington, and Dennis Hopper as themselves. Cinematography by Gary Graver. Edited by Bob Murawski and Orson Welles. Produced by Frank Marshall and Filip Jan Rymsza.
This November, 48 years after its first day of shooting, Orson Welles’s film The Other Side of the Wind was finally released to the general public on Netflix. The film was not Welles’s last (he left … Read the rest
This 31-minute audio recording was made by film critic, screenwriter, and actor Joseph McBride on August 23, 1970—the first day of shooting on The Other Side of the Wind, Orson Welles’s film about the last day in the life of fictional director J. J. “Jake” Hannaford (played by John Huston). The recording features McBride (as Marvin Pister) rehearsing a scene with Peter Bogdanovich (as Charles Higgam) at Welles’s house in Beverly Hills, with Welles directing. Bogdanovich would later be recast as Brooks Otterlake.
Many thanks to McBride for making the recording available to Kozak’s Classic Cinema.… Read the rest
Director, screenwriter, producer, and actor Ernst Lubitsch (1892-1947) was considered by film luminaries such as Orson Welles, Jean Renoir, and Billy Wilder to be among the greatest of directors. Over the course of 36 years and 69 films, Lubitsch’s career survived two major transitions: the industry-wide shift from silent film to sound and the director’s own migration from Europe to the United States. He worked with some of the most brilliant screen performers of his time—including Greta Garbo, Claudette Colbert, Maurice Chevalier, James Stewart, Carole Lombard, Gary Cooper, and Miriam Hopkins, among many others—in films such as Trouble in Paradise (1932), Ninotchka (1939), The Shop Around the Corner (1940), and To Be or Not to Be (1942). Along the way, he perfected the romantic comedy, infusing it with sophistication and wit, and with a sexual humor that seems both cutting edge for its time and a breath of fresh air in our present film culture.
Why then … Read the rest