The Big Broadcast (1932). 80 minutes. Directed by Frank Tuttle. Starring Bing Crosby (as Bing Hornsby), Stuart Erwin (as Leslie McWhinney), Leila Hyams (as Anita Rogers), Sharon Lynn (as Mona Lowe), George Burns (as Mr. Burns), and Gracie Allen (as reception clerk). Featuring musical performances by Cab Calloway, The Mills Brothers, The Boswell Sisters, Vincent Lopez and His Orchestra, Eddie Lang, Donald Novis, Kate Smith, and Arthur Tracy.
For a modern audience, watching The Big Broadcast—the first installment of the Big Broadcast film series that Paramount produced in the 1930s—is like watching two different movies at once. On the one hand, it can be enjoyed as a nostalgic, even escapist trip through the past: the movie features a plethora of wonderful period musical acts (including Cab Calloway, The Boswell Sisters, and The Mills Brothers) and boasts some delightful vintage comedy in the form of radio stars George Burns and Gracie Allen. But at least as interesting is what makes … Read the rest
Ruggles of Red Gap (1935). 90 minutes. Directed by Leo McCarey. Starring Charles Laughton (as Ruggles), Mary Boland (as Effie Floud), Charlie Ruggles (as Egbert Floud), ZaSu Pitts (as Mrs. Judson), Roland Young (as the Earl of Burnstead), Leila Hyams (as Nell Kenner), Lucien Littlefield (as Charles Belknap-Jackson), and Maude Eburne (as Ma Pettingill).
Ruggles of Red Gap is a delightful comedy about a stuffy English valet who is won in a card game by a pair of nouveau-riche Americans and relocates to their small Western town. With the help of American principles of political and social equality, the valet (Ruggles) embarks on a project of freeing himself from servitude and establishing himself as an independent man. In that regard, the movie reminds me of Born Yesterday (1950), which similarly posits that American institutions can be a force for personal (as well as political) liberation. Ruggles of Red Gap lacks the hard edge of Born Yesterday, but it uses … Read the rest
Freaks (1932). 62 minutes. Directed by Tod Browning. Starring Harry Earles (as Hans), Daisy Earles (as Frieda), Olga Baclanova (as Cleopatra), Henry Victor (as Hercules), Wallace Ford (as Phroso), and Leila Hyams (as Venus).
It is hard to know what exactly to say about Tod Browning’s Freaks. Some people have called it an early exploitation film, and others have called it a horror film. Perhaps the New York Times reviewer who wrote about the movie in 1932 put it best when he said, “The only thing that can be said definitely for ‘Freaks’ is that it is not for children. Bad dreams lie that way.”
The movie is about a circus and in particular its freak show, but until the final moments of the film, we never see anyone actually perform. The cast is divided into freaks and non-freaks (and I use those terms, which I realize may be offensive to some, only because they are the language of … Read the rest