Tag: Mae Clarke

The Public Enemy (1931)

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The Public Enemy (1931). 83 minutes. Directed by William A. Wellman. Starring James Cagney (as Tom Powers), Jean Harlow (as Gwen Allen), Edward Woods (as Matt Doyle), Joan Blondell (as Mamie), Mae Clarke (as Kitty), Donald Cook (as Michael Powers), Leslie Fenton (as Nails Nathan), Beryl Mercer (as Ma Powers), Robert Emmett O’Connor (as Paddy Ryan), and Murray Kinnell (as Putty Nose).

The Public Enemy is the pre-Code movie that solidified legendary actor James Cagney’s reputation for playing tough-guy criminal types. It made a major contribution to the gangster genre under development in the early sound period, which included such groundbreaking films as Little Caesar (1931) and Scarface (1932). Pre-Code gangster films typically feature slick criminal characters who at times are positioned as worthy of our admiration for their personal style, confidence, and strident disregard for authority. One of the wonderful things about the best of those movies, however, is the way that they also provocatively ask us to … Read the rest

Frankenstein (1931)

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Frankenstein (1931)

Frankenstein (1931). 71 minutes. Directed by James Whale. Starring Colin Clive (as Henry Frankenstein), Mae Clarke (as Elizabeth Lavenza), John Boles (as Victor Moritz), Boris Karloff (as Frankenstein’s monster), Frederick Kerr (as Baron Frankenstein), Dwight Frye (as Fritz), Edward Van Sloan (as Dr. Waldman), Lionel Belmore (as the Burgomaster), Marilyn Harris (as Little Maria), and Michael Mark (as Ludwig). Based on the novel by Mary Shelley and the play adaptation by Peggy Webling. Make-up by Jack Pierce.

Frankenstein is an iconic pre-Code monster movie released by Universal Studios—the film studio that, with the release of Frankenstein, Dracula (1931), The Mummy (1932), and a slew of other movies, would become the premiere horror workshop of Golden-Age Hollywood. Like many of those early 1930s films, Frankenstein is more than just a scary movie: at times profoundly psychological, it explores complex identity issues, tortured family relationships, and the thin line between order and chaos as it questions what defines us as … Read the rest