Journey into Fear (1943)

Journey into Fear (1943)

Journey into Fear (1943). 68 minutes. Directed by Norman Foster. Starring Joseph Cotten (as Howard Graham), Dolores del Río (as Josette Martel), Ruth Warrick (as Stephanie Graham), Agnes Moorehead (as Mrs. Matthews), Jack Durant (as Gogo), Everett Sloane (as Kopeikin), Eustace Wyatt (as Professor Haller/Muller), Frank Readick (as Matthews), Edgar Barrier (as Kuvetli), Jack Moss (as Banat), Stefan Schnabel (as purser), Richard Bennett (as captain), and Orson Welles (as Colonel Haki). Screenplay by Joseph Cotten and Orson Welles.

Journey into Fear features Orson Welles’s Mercury Theatre stock players in a story about a hapless American who gets caught up in a European espionage plot during World War Two. The rushed production required the actors to work in many uncredited capacities, and the movie was certainly not the artistic focus of Welles’s time at RKO in the early 1940s—a period that included Citizen Kane (1941), The Magnificent Ambersons (1942), and the ambitious and unfinished It’s All True. But Journey Into Read the rest

The Lady from Shanghai (1947)

"The Lady From Shanghai" featured image. Detail from the original Italian movie poster.

The Lady from Shanghai (1947). 88 minutes. Directed by Orson Welles.  Starring Orson Welles (as Michael O’Hara), Rita Hayworth (as Elsa Bannister), Everett Sloane (as Arthur Bannister), and Glenn Anders (as George Grisby).

The Lady from Shanghai is a sophisticated film noir about the difference between reality and illusion, but one could also say that it is a movie about creepy people doing creepy things in creepy places.  For the first-time viewer, it may seem most like a film that is struggling to be coherent in spite of its leaving the audience with many unanswered questions, such as: what does the husband know and when?  What are we to make of the wife’s mysterious past in Shanghai, her smoldering glances, and her inexplicable moodiness?  Did she marry her husband to protect a secret?  Is she in danger?  With dialogue such as “Everything’s bad.  You can’t fight it” and “It’s a bright, guilty world,” we might wonder where the characters’ bleak … Read the rest