Elstree Calling (1930)

Ellstree Calling (1930)

Elstree Calling (1930). 86 minutes. Directed by Alfred Hitchcock, André Charlot, Jack Hulbert, and Paul Murray. Starring Tommy Handley (as host), Gordon Harker (as man with faulty television), Will Fyffe, Lily Morris, Teddy Brown, The Three Eddies, Anna May Wong, Bobbie Comber, Hannah Jones, Cicely Courtneidge, Helen Burnell, and Donald Calthrop.

Elstree Calling is a 1930 musical variety film, designed by British International Pictures to show off Elstree Studios’ nascent sound technology and to compete with the opulent musical revues coming out of the United States at the time. (You can think of its title, Elstree Calling, as a version of the well-known “London Calling” that had been BBC radio’s signature call sign in London since 1922.) It is notable for being a an early British sound extravaganza, for the many musical artists who appear in it, for its use of the early tinting technique Pathécolor in select scenes, and for the involvement of Alfred Hitchcock as one of … Read the rest

Snow White and the Seven Dwarfs (1937)

Snow White and the Seven Dwarfs (1937)

Snow White and the Seven Dwarfs (1937). 83 minutes. Directed by David Hand (supervising director). Starring Adriana Caselotti (as Snow White), Lucille La Verne (as Evil Queen Grimhilde), Harry Stockwell (as the Prince), Roy Atwell (as Doc), Pinto Colvig (as Grumpy and Sleepy), Otis Harlan (as Happy), Scotty Mattraw (as Bashful), Billy Gilbert (as Sneezy), Moroni Olsen (as the Magic Mirror), and Stuart Buchanan (as Humbert the Huntsman). Songs by Frank Churchill and Larry Morey. Produced by Walt Disney.

The story of Walt Disney’s Snow White and the Seven Dwarfs is probably familiar to most: the young and beautiful princess Snow White lives in a castle and is governed by her evil stepmother the Queen, who forces her to wear ragged peasants’ clothes and perform menial tasks. Snow White encounters a prince one day while cleaning and is smitten. Meanwhile, the Queen asks her magic mirror who the most beautiful woman in the land is. When the mirror tells her … Read the rest

Gold Diggers in Paris (1938)

Gold Diggers in Paris (1938)

Gold Diggers in Paris (1938). 97 minutes. Directed by Ray Enright. Starring Rudy Vallee (as Terry Moore), Rosemary Lane (as Kay Morrow), Hugh Herbert (as Maurice Giraud), Allen Jenkins (as Duke Dennis), Gloria Dickson (as Mona), Fritz Feld (as Luis Leoni), Curt Bois (as Padrinsky), Edward Brophy (as Mike Coogan), Melville Cooper (as Pierre Le Brec), and the Schnickelfritz Band (as themselves). Musical sequences directed by Busby Berkeley. Music by Harry Warren, Al Dubin, Johnny Mercer, and Freddie Fisher.

For a movie whose title so blatantly alludes to financial schemers, Gold Diggers in Paris is surprisingly free of gold-digging characters. In fact, as I was watching, it occurred to me that the primary gold diggers involved in this production were probably the producers, directors, and cast, who must have seen this sixth installment in the series as easy money, given how popular its predecessors were. In addition to lacking actual characters who are gold diggers, Gold Diggers in Paris is … Read the rest

Gold Diggers of 1937 (1936)

Gold Diggers of 1937

Gold Diggers of 1937 (1936). 101 minutes. Directed by Lloyd Bacon. Starring Dick Powell (as Rosmer Peck), Joan Blondell (as Norma Perry), Glenda Farrell (as Genevieve Larkin), Victor Moore (as J. J. Hobart), Lee Dixon (as Boop Oglethorpe), Osgood Perkins (as Morty Wethered), and Charles D. Brown (as Tom Hugo). Musical sequences directed by Busby Berkeley. Music and lyrics by Harry Warren, Al Dubin, Harold Arlen, and E. Y. Harburg.

Generally speaking, it is hard not to like a Gold Diggers movie. Even though this is the fifth iteration of the franchise, stars Dick Powell and Joan Blondell remain cute and perky throughout, and the music, in particular the songs by Harry Warren and Al Dubin, is first rate. Much like the other Gold Diggers movies, Gold Diggers of 1937 (released in 1936) makes a special appeal to Depression-weary cinema-goers by explicitly referring to the economic circumstances of the times and to the individual characters’ financial predicaments; but its … Read the rest

Meet Me in St. Louis (1944)

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Meet Me in St. Louis (1944). 112 minutes. Directed by Vincente Minnelli. Starring Judy Garland (as Esther Smith), Margaret O’Brien (as “Tootie” Smith), Mary Astor (as Anna Smith), Leon Ames (as Alonzo Smith, Sr.), Tom Drake (as John Truett), Marjorie Main (as Katie), Harry Davenport (as Grandpa Smith), Lucille Bremer (as Rose Smith), Henry H. Daniels, Jr. (as Alonzo Smith, Jr.), Joan Carroll (as Agnes Smith), June Lockhart (as Lucille Ballard), and Robert Sully (as Warren Sheffield). Produced by Arthur Freed. Music by Hugh Martin, Ralph Blane, and others.

Meet Me in St. Louis is widely regarded as one of the greatest of the Arthur Freed musicals produced at MGM from the late 1930s through the early 1960s. The movie is a portrait of a Missouri family circa 1903 as their hometown of St. Louis prepares to host the Louisiana Purchase Exposition (also known as the World’s Fair). The events unfold over the course of a year, with the result … Read the rest

The Blue Angel (1930)

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The Blue Angel (1930). 99 minutes. Directed by Josef von Sternberg. Starring Emil Jannings (as Professor Immanuel Rath), Marlene Dietrich (as Lola Lola), Kurt Gerron (as Kiepert, the magician), Hans Albers (as Mazeppa, the strongman), and Reinhold Bernt (as the clown).  Songs by Friedrich Holländer and Robert Liebmann.

Roger Ebert concludes his review of The Blue Angel by placing its characters in historical context: “You can glimpse the sadomasochism of the Nazi pose in the strange relationship of Professor Rath and Lola Lola.”  Although there are no explicit allusions to Hitler’s political movement in the 1930 film, Ebert’s suggestion that a creepy Nazi power dynamic is evident in the Jannings-Dietrich portrayal is provocative and probably accurate.  The Blue Angel was originally released in the years just before Germany’s official transformation into a Nazi state, and it surely picks up on those larger cultural currents.  But the film is also a weird sort of backstage musical that leaves a bad taste … Read the rest

Early Technicolor

I recently had the opportunity to view the 1930 Eddie Cantor musical comedy Whoopee!, and while I cannot recommend watching it in its entirety (due to its not being a fine example of the genre and its extensive racism), I must say that there is something very interesting about the way it was filmed. I am talking about the two-strip Technicolor process that it and more than 35 other full-length feature films employed between the years of 1929 and 1931, when Hollywood was aggressively experimenting with techniques to maintain and bolster movie attendance in the early days of sound film.

During this period, musicals were the novelty of the moment, and Hollywood produced them in abundance, although audiences quickly overdosed on them.  Whoopee! boasts a number of still-recognizable songs, such as Eddie Cantor’s performances of the suggestive “Makin’ Whoopee” and the tamer “My Baby Just Cares for Me.”  There is also dancing, with a chorus of cowboys and cowgirls … Read the rest

42nd Street (1933)

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42nd Street (1933).  89 minutes.  Directed by Lloyd Bacon.  Musical sequences directed by Busby Berkeley.  Starring Ruby Keeler (as Peggy Sawyer), Warner Baxter (as Julian Marsh), Bebe Daniels (as Dorothy Brock), George Brent (as Pat Denning), Guy Kibbee (as Abner Dillon), Ginger Rogers (as Ann Lowell), and Dick Powell (as Billy Lawler).  Music and lyrics by Harry Warren and Al Dubin.

42nd Street is the first of four movies whose musical sequences Busby Berkeley directed for Warner Bros. from 1933 to 1934.  Prior to 42nd Street, Berkeley had directed theatrical productions and short sequences for Eddie Cantor musicals, but 42nd Street was a different sort of vehicle, both for Berkeley and for Hollywood.  According to Leonard Maltin, by 1933 movie-going audiences, which had been inundated with musicals since the birth of sound film technology a few years earlier, had grown tired of song-and-dance productions.  As a musical that was also a backstage story, 42nd Street offered a fresh … Read the rest

Holiday Inn (1942)

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Holiday Inn (1942). 102 minutes. Directed by Mark Sandrich. Starring Bing Crosby (as Jim Hardy), Fred Astaire (as Ted Hanover), Marjorie Reynolds (as Linda Mason), Virginia Dale (as Lila Dixon), and Walter Abel (as Danny Reed). Story and songs by Irving Berlin. Choreography by Danny Dare.

Holiday Inn is a clever, Christmas-oriented spin on the “let’s put on a show” variety of Golden Age musical. It features Bing Crosby and Fred Astaire as New York stage entertainers. Along with Virginia Dale, they form a song-and-dance trio that at the beginning of the film is slated for its farewell performance. Lila Dixon (played by Dale) plans to marry Jim Hardy (played by Crosby) and retire with him to a farm in Connecticut, but on the evening of their last show she reveals that she is in love with Ted Hanover (played by Astaire) and keen to keep on singing and dancing with him.  Crosby recovers quickly and in stride in a … Read the rest

Dames (1934)

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Dames (1934). 91 minutes. Directed by Ray Enright. Musical direction by Busby Berkeley. Starring Dick Powell (as Jimmy Higgins), Ruby Keeler (as Barbara Hemingway), Joan Blondell (as Mabel Anderson), ZaSu Pitts (as Matilda Ounce Hemingway), Guy Kibbee (as Horace Peter Hemingway), and Hugh Herbert (as Ezra Ounce). Music and lyrics by Harry Warren and Al Dubin.

Warner Bros. could have called this movie Gold Diggers of 1934 and its title would have made at least as much sense as the one they settled on.  Much like the Gold Diggers movies, which I have reviewed previously (here and here), Dames focuses on characters who scheme to get their hands on an impressive sum of money and the way their lives intertwine with characters who are plotting to raise funds to put on a spectacular musical — all played by the usual Busby Berkeley suspects.  The first set of schemers is Matilda and Horace Hemingway, who stand to inherit millions … Read the rest